Musiikin taulukot/Symbolit/Kertausmerkit

Kertausmerkit

	tremolo
	kertausmerkit	${ \override TextScript.extra-offset = #'(0.5 . 4) s1 \bar "\|" \repeat volta 2 { s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "B" } s s s \bar "\|" } }$ = ${ \override TextScript.extra-offset = #'(0.5 . 4) s1 \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "B" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "B" } s s s \bar "\|" }$
	Simile marks
	maalit	${ \override TextScript.extra-offset = #'(1 . 4) s1 \bar "\|" \repeat volta 2 { s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" } \alternative { { s4-\markup { \whiteout \box \pad-markup #0.5 "B" } s s s \bar "\|" } { s4-\markup { \whiteout \box \pad-markup #0.5 "C" } s s s \bar "\|" } } }$ = ${ \override TextScript.extra-offset = #'(1 . 4) s1 \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "B" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "C" } s s s \bar "\|" }$
	da capo	Kappale toistetaan alusta alkaen. ${ \omit Clef \omit TimeSignature \override TextScript.extra-offset = #'(1 . 4) %\override Score.RehearsalMark.direction = #down \set Score.proportionalNotationDuration = #(ly:make-moment 1) \partial 8 s8 \bar "\|" \set Score.proportionalNotationDuration = #(ly:make-moment 1/4) \repeat volta 2 { s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" } \alternative { { s4-\markup { \whiteout \box \pad-markup #0.5 "B" } s \override TextScript.extra-offset = #'(0 . 0) s s_\markup { \small \italic "Fine" } \bar "\|" } { \override TextScript.extra-offset = #'(1 . 4) s4-\markup { \whiteout \box \pad-markup #0.5 "C" } s8 s s s s \override TextScript.extra-offset = #'(-2 . 0) s^\markup { \small \italic "D.C. al Fine" } \bar "\|" } } }$ = ${ \omit Clef \omit TimeSignature \override TextScript.extra-offset = #'(1 . 4) %\override Score.RehearsalMark.direction = #down s1 \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "B" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "C" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "B" } s s \override TextScript.extra-offset = #'(0 . 0) s_\markup { \small \italic "Fine" } \bar "\|" }$
	segno	Merkillä merkitään toisaalta kohtaa, josta alkaen toistetaan ja toisaalta kohtaa, josta hypätään taaksepäin kyseiseen merkkiin.
	dal segno	${ \omit Clef \omit TimeSignature \override TextScript.extra-offset = #'(1 . 4) %\override Score.RehearsalMark.direction = #down \set Score.proportionalNotationDuration = #(ly:make-moment 1) \partial 8 s8 \bar "\|" \set Score.proportionalNotationDuration = #(ly:make-moment 1/4) \repeat volta 2 { s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" } \alternative { { \mark \markup { \small \musicglyph #"scripts.segno" } s4-\markup { \whiteout \box \pad-markup #0.5 "B" } s s \override TextScript.extra-offset = #'(0 . 0) s_\markup { \small \italic "Fine" } \bar "\|" } { \override TextScript.extra-offset = #'(1 . 4) s4-\markup { \whiteout \box \pad-markup #0.5 "C" } s s \override TextScript.extra-offset = #'(-2 . 0) s^\markup { \small \italic "D.S. al Fine" } \mark \markup { \small \musicglyph #"scripts.segno" } } } }$ = ${ \omit Clef \omit TimeSignature \override TextScript.extra-offset = #'(1 . 4) %\override Score.RehearsalMark.direction = #down s1 \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "B" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "C" } s s s \bar "\|" \mark \markup { \small \musicglyph #"scripts.segno" } s4-\markup { \whiteout \box \pad-markup #0.5 "B" } s s \override TextScript.extra-offset = #'(0 . 0) s_\markup { \small \italic "Fine" } \bar "\|" }$
	coda-merkki eli "pomppa"	Merkillä merkitään toisaalta kohtaa, josta kooda eli lopetus alkaa (jälkimmäinen) ja toisaalta kohtaa, josta siihen hypätään viimeisellä kerralla. ${ \omit Clef \omit TimeSignature \override TextScript.extra-offset = #'(1 . 4) %\override Score.RehearsalMark.direction = #down \set Score.proportionalNotationDuration = #(ly:make-moment 1) \partial 8 s8 \bar "\|" \set Score.proportionalNotationDuration = #(ly:make-moment 1/4) \repeat volta 2 { s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" } \alternative { { \mark \markup { \small \musicglyph #"scripts.coda" } s4-\markup { \whiteout \box \pad-markup #0.5 "B" } s s s \bar "\|" } { s4-\markup { \whiteout \box \pad-markup #0.5 "C" } s \override TextScript.extra-offset = #'(-2 . 0) s^\markup { \small \italic "D.C. al Coda" } s \mark \markup { \small \musicglyph #"scripts.coda" } \bar "\|" \override TextScript.extra-offset = #'(1 . 4) s4-\markup { \whiteout \box \pad-markup #0.5 \small "Coda" } s s s \bar "\|" } } }$ = ${ \omit Clef \omit TimeSignature \override TextScript.extra-offset = #'(1 . 4) %\override Score.RehearsalMark.direction = #down s1 \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "B" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "C" } s s s \bar "\|" s4-\markup { \whiteout \box \pad-markup #0.5 "A" } s s s \bar "\|" \mark \markup { \small \musicglyph #"scripts.coda" } s4-\markup { \whiteout \box \pad-markup #0.5 \small "Coda" } s s s \bar "\|" }$
	fine	Kohta, johon lopetetaan.

Lähteet

Pasi Heikkilä & Veli-Matti Halkosalmi: Tohtori Toonika, s. 80–82. Keuruu: Otava, 2016. ISBN 978-951-1-19922-9.