Musiikin taulukot/Harmonisen mollin moodit

Perinteisten kirkkosävellajien ohella muillakin asteikoilla on moodeja. Tässä taulukossa esitellään harmonisen mollin moodit.

Harmonisen mollin moodit

Aste

Nimi

Kaava

Esimerkki

I

harmoninen molli

1

–

s2

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p3

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–

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p6

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s7

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8

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½

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1½

½

c

${ \cadenzaOn \omit Stem \once \override Staff.TimeSignature #'stencil = ##f c'4 d' ees' f' g' aes' b' c'' \override Voice.NoteHead.color = #(x11-color 'grey50) b' aes' g' f' ees' d' c' }$

II

lokrinen ♮6

1

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p2

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p3

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v5

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s6

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p7

–

8

½

1

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1½

½

1

d

${ \cadenzaOn \omit Stem \once \override Staff.TimeSignature #'stencil = ##f d'4 ees' f' g' aes' b' c'' d'' \override Voice.NoteHead.color = #(x11-color 'grey50) c'' b' aes' g' f' ees' d' }$

c

${ \cadenzaOn \omit Stem \once \override Staff.TimeSignature #'stencil = ##f \transpose d' c' { d'4 ees' f' g' aes' b' c'' d'' \override Voice.NoteHead.color = #(x11-color 'grey50) c'' b' aes' g' f' ees' d' } }$

III

jooninen ♯5
ionian augmented

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s2

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s3

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4

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y5

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s6

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s7

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8

1

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1½

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e♭

${ \cadenzaOn \omit Stem \once \override Staff.TimeSignature #'stencil = ##f ees'4 f' g' aes' b' c'' d'' ees'' \override Voice.NoteHead.color = #(x11-color 'grey50) d'' c'' b' aes' g' f' ees' }$

c

${ \cadenzaOn \omit Stem \once \override Staff.TimeSignature #'stencil = ##f \transpose ees' c' { ees'4 f' g' aes' b' c'' d'' ees'' \override Voice.NoteHead.color = #(x11-color 'grey50) d'' c'' b' aes' g' f' ees' } }$

IV

doorinen ♯4
dorian-lydian
ukrainalainen doorinen

1

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s2

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p3

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y4

–

5

–

s6

–

p7

–

8

1

½

1½

½

1

½

1

f

${ \cadenzaOn \omit Stem \once \override Staff.TimeSignature #'stencil = ##f f'4 g' aes' b' c'' d'' ees'' f'' \override Voice.NoteHead.color = #(x11-color 'grey50) ees'' d'' c'' b' aes' g' f' }$

c

${ \cadenzaOn \omit Stem \once \override Staff.TimeSignature #'stencil = ##f \transpose f' c' { f'4 g' aes' b' c'' d'' ees'' f'' \override Voice.NoteHead.color = #(x11-color 'grey50) ees'' d'' c'' b' aes' g' f' } }$

V

fryyginen ♮3
fryyginen dominantti
miksolyydinen ♭2 ♭6

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p2

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s3

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4

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p6

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p7

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8

½

1½

½

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1

g

${ \cadenzaOn \omit Stem \once \override Staff.TimeSignature #'stencil = ##f g'4 aes' b' c'' d'' ees'' f'' g'' \override Voice.NoteHead.color = #(x11-color 'grey50) f'' ees'' d'' c'' b' aes' g' }$

c

${ \cadenzaOn \omit Stem \once \override Staff.TimeSignature #'stencil = ##f \transpose g' c' { g'4 aes' b' c'' d'' ees'' f'' g'' \override Voice.NoteHead.color = #(x11-color 'grey50) f'' ees'' d'' c'' b' aes' g' } }$

VI

lyydinen ♯2

1

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y2

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s3

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y4

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5

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s6

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s7

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8

1½

½

1

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1

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a♭

${ \cadenzaOn \omit Stem \once \override Staff.TimeSignature #'stencil = ##f aes'4 b' c'' d'' ees'' f'' g'' aes'' \override Voice.NoteHead.color = #(x11-color 'grey50) g'' f'' ees'' d'' c'' b' aes' }$

c

${ \cadenzaOn \omit Stem \once \override Staff.TimeSignature #'stencil = ##f \transpose aes' c' { aes'4 b' c'' d'' ees'' f'' g'' aes'' \override Voice.NoteHead.color = #(x11-color 'grey50) g'' f'' ees'' d'' c'' b' aes' } }$

VII

lokrinen ♭4 𝄫7
"hyperlokrinen"
ultralokrinen

1

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p2

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p3

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v4

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v5

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p6

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v7

–

8

½

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½

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½

1½

b (h)

${ \cadenzaOn \omit Stem \once \override Staff.TimeSignature #'stencil = ##f b'4 c'' d'' ees'' f'' g'' aes'' b'' \override Voice.NoteHead.color = #(x11-color 'grey50) aes'' g'' f'' ees'' d'' c'' b' }$

c

${ \cadenzaOn \omit Stem \once \override Staff.TimeSignature #'stencil = ##f \transpose b' c' { b'4 c'' d'' ees'' f'' g'' aes'' b'' \override Voice.NoteHead.color = #(x11-color 'grey50) aes'' g'' f'' ees'' d'' c'' b' } }$